midgebop
Drunk on a world served straight: through the lens of a travel junkie, movie slut, foodie, music lover (no country twang please), queer liberal, English prof.

Nail Polish

posted Thursday, 16 November 2006
"We learned to love that summer , We were 17…" plays as the credits to Nail Polish, a coming of age story set on the Joisey shore, scroll. Jane Ainbinder's film is told through the lens of Allison, an awkward teen who has recently lost her mother. Allison spends the summer before college with her friend Becky, navigating the sexual terrain of beach life. Becky, a free spirit with an ultimate ambition of going to college, getting married, making babies, and retiring to Florida, tries to guide Allison in the world of boys, giving advice on dress and conversation. Despite the advice, Allison constantly mis-steps, finding solace in a world of daydreams, a place where her dead mother's gentle smile comes alive and guides her. Ainbinder accents the separate worlds of Becky and Allison not only in their behavior, but through their speech--Becky has a thick Joisey accent while Allison does not.

The summer is supposed to help Allison heal from the loss of her mother, but instead, it ends up bringing a new set of challenges. She has a dead-end job at a diner, complete with a boss who berates her for not correctly placing silverware in napkins, a cook whose sexual innuendos disgust her, and a co-worker who fails to help her in a quest to finally have sex (he passes out stoned on the beach). Disappointment continues when Becky's mom, a former Hooter's waitress, arrives and monopolizes Becky. The mother's arrival also brings frat-like parties to the house, turning a potential haven into beer bong central.

Allison, though, does ultimately find her way out ("her aim is true") of this mess and out of her awkwardness. She meets Wayne, an intellectual poser, who helps her transcend from a world of daydream into reality. It is this brief love affair that teaches Allison comfort and shows her how to finally draw on her own strength and beauty as she moves from the awkward world of teen to adult.

Ainbinder's film perfectly nails the Joisey setting and its characters. 80s music, with all its kitsch, pulses through the film as the lights of the Seaside Heights' ferris wheel reminds the viewers of the magical escape a summer at the shore provides. The world of Nail Polish is a glimpse at growing up, a time when teenagers use cosmetics to try on different faces, to cover up their awkwardness, and to help their passage into womanhood.

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