The summer is supposed to help Allison heal from the loss of her mother, but instead, it ends up bringing a new set of challenges. She has a dead-end job at a diner, complete with a boss who berates her for not correctly placing silverware in napkins, a cook whose sexual innuendos disgust her, and a co-worker who fails to help her in a quest to finally have sex (he passes out stoned on the beach). Disappointment continues when Becky's mom, a former Hooter's waitress, arrives and monopolizes Becky. The mother's arrival also brings frat-like parties to the house, turning a potential haven into beer bong central.
Allison, though, does ultimately find her way out ("her aim is true") of this mess and out of her awkwardness. She meets Wayne, an intellectual poser, who helps her transcend from a world of daydream into reality. It is this brief love affair that teaches Allison comfort and shows her how to finally draw on her own strength and beauty as she moves from the awkward world of teen to adult.
Ainbinder's film perfectly nails the Joisey setting and its characters. 80s music, with all its kitsch, pulses through the film as the lights of the Seaside Heights' ferris wheel reminds the viewers of the magical escape a summer at the shore provides. The world of Nail Polish is a glimpse at growing up, a time when teenagers use cosmetics to try on different faces, to cover up their awkwardness, and to help their passage into womanhood.